So, over at BlackGate.com today, The Public Life of Sherlock Holmes looks at a fifth book in Otto Penzler’s Sherlock Holmes library. This one is from S.C. Roberts, an accomplished bookman who had a life-long impact on Cambridge.
This is a nifty little collection of essays written by Roberts and a nice addition to a Sherlockian bookshelf. I’ve long been fond of his pastiche, “The Strange Case of the Megatherium Thefts.”
I had previously written a post on Vincent Starrett’s two entries in the series, followed by a post on the two books from James Edward Holroyd.
A couple of weeks ago, I wrote a post over at BlackGate.com, comparing the old school approach to Role Playing Games with the more modern one. I used Swords and Wizardry, a recreation of Original Dungeons and Dragons, and Pathfinder. I’m a fan of both systems.
I think that post has turned out to be one of the most popular I’ve written at Black Gate. So, of course, I went back to the well somewhat and this week, talked a bit about how Role Playing Games are about storytelling. And storytelling is what being a writer is about.
I also mention The Iliad, so you know it’s a good post!
If you’re at all interested in RPGs, or wondering how fantasy games with pen and paper can foster imagination, head on over. And add to the comments, please. We get some good discussion and some great points ‘below the line.’
A couple weeks ago, ‘The Public Life of Sherlock Holmes’ looked at two Vincent Starrett books: The Private Life of Sherlock Holmes and 221B: Studies in Sherlock. Both of those books are part of the nine title Otto Penzler’s Sherlock Holmes Reference Library.
This week, I look at two more books in the series: these from James Edward Holroyd. As with Starrett’s, one (Baker Street Byways) is his own work while the other (Seventeen Steps to 221B) is an edited collection from multiple writers.
Both books are solid additions to a Sherlockian bookshelf, so click on over and check them out.
There are a few names that stand above all others in the Sherlockian world. Edgar Smith, founder of the Baker Street Irregulars, of course. Christopher Morley and Father Ronald Knox loom huge.
Vincent Starrett, one of the great bookmen of the twentieth century is another. Today over at BlackGate.com, The Public Life of Sherlock Holmes looks at two Starrett collections – The Private Life of Sherlock Holmes and 221B: Studies in Sherlock. Both were part of Otto Penzler’s classic Sherlock Holmes Library.
Starrett was a huge Solar Pons fan and even wrote introductions to two of the short story collections. One is an intro that should be looked at as a standard in the field.
And he was a great supporter of Derleth in the latter’s battle with the Doyle brothers in publishing The Adventures of Solar Pons.
Way, way back when I was a kid, I played Dungeon!, the board game that TSR put out in 1975. A few years ago, I bought a recent edition and taught my six year old how to play it. Dungeon! was the father of all dungeon crawlers, like Descent and Dungeonquest.
Today over at BlackGate.com, I did into the history of this venerable board game. It came directly out of Dave Areneson’s Blackmoor sessions and really, pre-dates D&D.
Head on over and check it out.
This week, I actually managed to tie my favorite band into my Monday morning post over at BlackGate.com.
Included with the Beach Boys’ 1972 album, Holland, was an EP. For you youngsters, that stands for ‘Extended Play’ and it was a bonus record: less music than a regular album but more than on a 45. Mt. Vernon and Fairy: a Fairy Tale, was an odd piece of music, singing and spoken verse, telling the story of a young prince and a magic transistor radio.
I talk about this rather unique piece of Beach Boys history, so head on over to Black Gate and check it out.
The history of the Beach Boys is littered with unreleased and/or rejected albums that never made it to official status, though many of the associated songs found their way to the public. One such project has come to be known as Lei’d in Hawaii (get it?).
In 1966, Pet Sounds was a critical (if not commercial) success, Good Vibrations became a smash hit and Brian Wilson was famously working on the Smile album. However, as 1966 turned into 1967, Smile kept getting delayed, the band (foolishly) withdrew from the Monterey Pop Festival and Heroes and Villains was a disappointment compared to Good Vibrations. The Smiley Smile album (” a bunt instead of a grand slam”) barely dented the charts. Things had gone south for the band in America.
Editorial comment – I like Heroes and Villains and there is some terrific stuff from the sessions that got left out. I think it could have been almost as good as Good Vibrations.
In 1967, the band went to Hawaii and recorded and filmed two concerts, which were to be edited to form a live album for Capitol Records. The cherry on top of the cake was that Brian Wilson, who didn’t travel with the group in those days, was present. 1964’s Beach Boys Concert album had been a hit and another live album would buy the group some time as they worked on a studio recording.